In Episode Four, we talk about the algorithmic potential of storytelling. Artists Stephanie Dinkins and Stan Douglas discuss how they use the language of photography, surveillance, and AI to narrate different pasts and imagine different futures. Dinkins draws upon her own life experience, while Douglas incorporates moments from British history.
If we know that it is impossible for a photograph to be objective, then why do we rely so heavily on photography as evidence?...
Episode Two explores the benefits and disadvantages of going unseen by surveillance technologies. We examine notions of visibility and invisibility in the context of...
Photography has been used as a tool to record our bodies from the creation of the first mugshots in the late 19th century to...