In Episode Four, we talk about the algorithmic potential of storytelling. Artists Stephanie Dinkins and Stan Douglas discuss how they use the language of photography, surveillance, and AI to narrate different pasts and imagine different futures. Dinkins draws upon her own life experience, while Douglas incorporates moments from British history.
Do we have the power to refuse mass surveillance? In our final episode, we speak with Forensic Architecture founder Eyal Weizman, who explains how...
If we know that it is impossible for a photograph to be objective, then why do we rely so heavily on photography as evidence?...
What is the environmental impact of AI on our planet, and what colonial impulses does this technology enable? Episode Five zooms out and up...